Curious comedy/drama in which John Mills accidentally bumps off crook Herbert Lom, his daughter's bad boyfriend. Good boyfriend Sam Wanamaker tries to uncover the truth.
Script adapt.: (o.a.) Alec Coppel
Director: Anthony Kimmins
Players: Phyllis Calvert, Raymond Huntley, Eileen Moore, Bernard Lee, Wilfrid Hyde White, Freda Jackson, Ronald Adam, Ambrosine Phillpotts
Felix Aylmer has the title role as the elderly Jew who goes into Germany in 1938 to find the mother of a refugee. This fascinating film is one of the few from the period to examine the Nazi regime with an emphasis on its anti-Jewish policy.
Script adapt.: Gordon Wellesley, Norman Ginsburg. (o.a. Louis Golding)
Director: Harold French
Players: Greta Gynt, Walter Rilla, Peter Mullins, Ursula Jeans, Elspeth March, Frederick Richter, Frederick Schiller, Maria Bergner, Charles Goldner, Irene Handl, Margaret Vyner, Jean Simmons
Teachers clash over traditional or progressive teaching methods, and over the attentions of the school nurse.
Interesting movie, very much of its time. Though since the teachers are David Farrar and Marius Goring there's no prize for guessing which one gets nurse Greta Gynt.
Script adapt.: L.A.G. Strong, T.J. Morrison. (o.a. Hugh Walpole)
Director: Lawrence Huntington
Players: Raymond Huntley, Edward Chapman, Mary Jerrold, Finlay Currie, Ralph Truman, Lloyd Pearson, Viola Lyel, Archie Harradine, Donald Barclay, David Spencer, Roddy Hughes, Maurice Jones, May McDonald, Pat Nye, Brendan Clegg, John Campbell, David Lines, Cavan Malone, Brian McDermott, Roy Sargent, Sheila Huntington, Howard Douglas, Johnnie Schofield, John Warren
War correspondent uncovers the dealings of an illegal arms trader and falls in love with his beautiful accomplice.
Unremarkable tale of international intrigue made tolerable by good photography from Robert Lapresle.
Script: John Meehan Jr., J. O. C. Orton
Director: Arthur Woods
Players: James Stephenson, Chili Bouchier, Franklin Dyall, Skeets Gallagher, Betty Lynne, Robert Rendel, Mary Cole, Eric Clavering, Dino Galvani, Cot D'ordan, Brian Powley, Victor Fairley, Patricia Medina
Street urchin tries to see Queen Victoria.
Andrew Ray gets his best child-star role, but he can't steal the film from Alec Guinness as Disraeli and Irene Dunne as the Queen.
Script adapt.: Nunnally Johnson. (o.a. Theodore Bonnet)
Director: Jean Negulesco
Players: Beatrice Campbell, Anthony Steele, Finlay Currie, Raymond Lovell, Marjorie Fielding, Constance Smith, Ronan O'Casey, Edward Rigby, Kynaston Reeves, Wilfrid Hyde White, Robin Stevens, William Strange, Ernest Clark, Patricia Hitchcock, Eric Messiter, Pamela Arliss, Ian Selby, Maurice Warren, Michael Brooke, Jane Short, Howard Douglas, Richmond Nairne, George Dillon, Leonard Sharp, Vi Kaley, Freddie Watts, Y. Yanai, Paul Gerrard, Leonard Morris, Marjorie Gresley, Bob Head, Vi Stevens, Alan Gordon, Grace Denbigh-Russell
Archeologists discover an Egyptian tomb and bring its contents back to England. But the tomb has its protector: a mummified priest whose task is to avenge the desecration.
Not top-notch Hammer, but enjoyable enough.
Script: Jimmy Sangster
Director: Terence Fisher
Players: Peter Cushing, Christopher Lee, Yvonne Furneaux, Raymond Huntley, Felix Aylmer, George Pastell, Eddie Byrne, John Stuart, Harold Goodwin, Denis Shaw, Michael Ripper, Frederick Rawlings
Jury member Herbert Marshall decides to do some snooping himself to get the accused (Norah Baring) off the hook.
It's a rare whodunit from Hitchcock, and shows how well he could overcome the limitations of the primitive sound system when he wanted to. It was Marshall's first talkie and he copes effortlessly. The first half hour is full of imagination and sound experiments, including chorus work, but once the investigation gets underway it slows to a crawl. It only picks up again when the murderer meets his end.
Script adapt.: Alma Reville, Walter C. Mycroft, Alfred Hitchcock. (o.a. Clemence Dane, Helen Simpson)
Director: Alfred Hitchcock
Players: Phyllis Konstam, Edward Chapman, Miles Mander, Esme Percy, Donald Calthrop, Amy Brandon Thomas, Joynson Powell, Marie Wright, Hannah Jones, Una O'Connor, Violet Farebrother, Kenneth Kove, Clare Greet, Gus McNaughton, R.E. Jeffrey, Alan Stainer, Drusilla Vills, Robert Easton, William Fazan, George Smythson
A series of vicious doorstep robberies turns to murder, but when a Scotland Yard Inspector digs further into the case, he finds the killer might be close at home.
The killer's modus operandi is insane even for a psycho. He chooses a rich lady victim. She must leave a nightclub with a name beginning with the next letter in a certain phrase. She has to live near where he has his getaway boat moored and must arrive home to coincide with a high tide at 3 a.m. so he can get onto his boat. However, this isn't as insane as the Inspector's plan to catch him. The plan is to disguise his own sister and get her to leave the right nightclub at the right time, despite her fiancÚ being the chief suspect. Even in those pre-feminist days, there must have been some woman officer who could act as a decoy. The Inspector even brings Sis along for the final confrontation with the killer.
Star Dennis Price as the Inspector has the shell-shocked air of a man who knows his career has disappeared down the pan. Four years earlier he was starring in the classic Kind Hearts and Coronets, now he's appearing in this dreck and doesn't even get his name above the title. He goes through the motions like a man at a funeral, too polite to mention the deceased has started to stink. His co-star, Peggy Evans, puts enough effort for both of them into her performance. It's still not enough to overcome the script.
The most interesting role goes to Philip Saville as the fiancÚ. He does his best with it but clearly his talents lay elsewhere. Soon he'd be working behind the cameras in television, going on to direct Boys from the Black Stuff and other classics.
Director Francis Searle does his usual workman-like job with the production. He gets the odd spooky moment out of the script, but these are generally undermined by the background music: radio thriller-like organ music. Far from adding to the atmosphere, it destroys any suspense. The rest of the film is standard 50s police procedural: dull men in dull offices.
Murder at 3 a.m. is fairly typical of the lower end of the B-picture market: a cheap lead with a recognisable name, some easily exploitable angles (murdered women), inoffensive enough to be a safe booking. It wouldn't have excited audiences back then, and still doesn't.
Script adapt.: John Ainsworth
Director: Francis Searle
Players: Greta Mayaro, Rex Garner, Arnold Bell, Leonard Sharp, Norah Gordon, Renee Goddard, Arthur Lovegrove, Daphne Maddox, Robert Weedon, John Davis
A newly-released convicted murderer is determined to prove that his victim is still alive.
William Hartnell is superb as the wronged man. He's supported by Jimmy Hanley as the cub reporter after the story that could be his big break. Also on his side is Dinah Sheridan as Jimmy's love interest who's far smarter than him.
Script: Montgomery Tully. (o.a. Seamark)
Director: Montgomery Tully
Players: Chili Bouchier, John Slater, Brefni O'Rourke, Wylie Watson, Maire O'Neill, Ellis Irving, Maudie Edwards, Scott Sanders, Kynaston Reeves, Edward Rigby, Petula Clark, John Salew, Ben Williams, Ethel Coleridge, Cyril Smith, K. Lung, Paul Ley, Vi Kaley, Hendry White, Aubrey Mallalieu, Alfred Harris, Sonny Miller, Johnny Catcher, Ivor Barnard, Dick Francis, Peter Gawthorne, Cyril Luckham, Geoffrey Dennis, May Norton, Danny Green
Rich woman leaves her money to the wrong person and promptly gets murdered.
Dull thriller with an interesting before-they-were-famous cast which includes Jessica Tandy, Evelyn Ankers, Glynis Johns and Roddy McDowell.
Script adapt.: David Evans. (o.a. James Ronald)
Director: Albert Parker
Players: Donald Gray, David Markham, Barry Jones, Rani Waller, Jessie Winter, Annie Esmond, Claire Arnold, A. Bromley Davenport, Stella Arbenina, W. Simpson Fraser, David Arnold, Edgar K. Bruce, Charles Childerstone
After his wife walks out, a writer picks up a good-time girl and brings her home. However during a quarrel, she hits her head and the writer's landlord takes advantage of the situation to indulge in a bit of blackmail.
In 1942, screenwriter J Lee Thompson scored a notable hit on the West End stage with Murder Without Crime. It ran for two years and even reached Broadway. However, he was too busy to fully enjoy its success since he was serving with the RAF. On his demob he reentered the film business. While Murder Without Crime was not the hottest property by the end of the decade, J Lee Thompson had put enough work into the business to be allowed to direct it as his debut production.
The film bears clear evidence of its source's stage origins. The production is effectively a four-hander and despite a couple of scenes in a night club and the good-time girl's flat, the action is confined to the author's drawing room. The main alteration to the source is the addition of a narrator. He speaks in hard-boiled journalese with an American accent: sort of Ed Murrow meets Walter Winchell. It gets remarkably wearing remarkably quickly.
The four featured actors do adequately with what's on offer but can't disguise the artificial nature of the enterprise. What works in the West End doesn't always transfer to the screen and Lee Thompson doesn't yet have the experience to coax three-dimensional performances out of his cast.
Script adapt.: (o.a.) J Lee Thomson
Director: J Lee Thompson
Players: Dennis Price, Derek Farr, Patricia Plunkett, Joan Dowling
Musical centred around Henry Hall and his Orchestra. This is a bizarre film mostly consisting of sketches in which Hall's radio audience react to the music. It doesn't work but it's an interesting attempt to bring a radio star to the pictures.
Script: Jack Davies, Courtney Terrett, L. DuGarde Peach
Director: Thomas Bentley, Alexander Esway, Walter Summers, Arthur Woods
Players: Carol Goodner, Arthur Margetson, Antoinette Cellier, Aubrey Mallalieu, Howard Marion Crawford, Norma Varden
In Edwardian days a man dreams of being a surgeon, but has to sacrifice his ambitions to help his brother.
Big hit for Michael Denison and Dulcie Gray.
Script adapt.: Leslie Landau, Adrian Arlington. (o.a. Francis Brett Young)
Director: Harold French
Players: Beatrice Campbell, Ronald Howard, Stephen Murray, Mary Clare, Finlay Currie, Arthur Young, Beatrice Varley, James Robertson Justice, James Hayter, Jessica Spencer, John Salew, Peter Murray, Wylie Watson, Hilda Bayley, Josephine Stuart, Wilfrid Hyde White, R. Stuart Lindsell, Fred Groves, Kathleen Boutall, Felix Deebank, Eric Messiter, Paul Farrell, Jack Melford, David Ward, Peter Hobbes, George Woodbridge, Leslie Watson, Merle Tottenham, Grace Denbigh-Russell, Howard Douglas, Hilary Pritchard, Derek Farge, Eunice Gayson, Norah Gordon, Cameron Hall, Kathleen Heath, Paul Blake, Thora Hird, Maureen Jones, Vi Kaley, Fred Kitchen, Daniel King, Ruth Lodge, Johnnie Schofield, Elsie Wagstaff, Hazel Adair, Grace Arnold, Ernest Borrow, Ernest Butcher, Basil Cunard, Andrea Malandrinos, Beatrice Marsden, Sydney Monckton, Paul Sheridan, Janet Morrison, Ray Cooney, Elizabeth Maude, Jane Shirley, Wendy Thompson, Desmond Newling, Alan Goodwin, Michael Cabourne
Convicts on the run handcuffed together. Make your own plot up from the first things that come to mind and you'll be doing what the writers did. Still, the convicts are Jack Warner and George Cole. You can't get much more mean and dangerous than that(!)
Script: Frank Harvey
Director: Alfred Roome
Players: Jane Hylton, David Tomlinson, Bill Owen, Yvonne Owen, Raymond Lovell, Brenda Bruce, Susan Shaw, John Boxer, Beatrice Varley, Wilfrid Hyde White, Maurice Denham, Frederick Piper, Valentine Dyall, Christopher Lee
Useless lawyer Will Hay finds one of his clients is killing off anyone involved in his trial, and Hay is last on the list.
Will Hay's last film isn't as celebrated as Oh, Mr Porter! but it's one of his best. Claude Hulbert makes a great sidekick and Mervyn Johns is wonderfully mad.
Script: John Dighton, Angus Macphail
Director: Will Hay, Basil Dearden
Players: Ernest Thesiger, Charles Victor, Hy Hazell, Lloyd Pearson, Maudie Edwards, G.H. Mulcaster, Gibb McLaughlin, Aubrey Mallalieu, Leslie Harcourt
Titchy tenor Joseph Schmidt plays one corner of a love triangle with John Loder and Charlotte Ander as the other corners. He should have learnt the first rule of cinema romances: "no man under five foot tall shall get the girl".
Script: Clifford Grey, Frank Miller, Ernest Neubach
Director: Richard Oswald
Players: Jack Barty, Jimmy Godden, Hal Gorden
Anna Neagle tries to prevent daughter Sylvia Syms going off the rails.
Sylvia's debut film marks Anna's last hit.
Script: Felicity Douglas
Director: Herbert Wilcox
Players: Kenneth Haigh, Norman Wooland, Wilfrid Hyde White, Helen Haye, Julia Lockwood, Josephine Fitzgerald, Wanda Ventham, Murray Mayne, Michael Shepley, Avice Landone, Michael Meacham, Grizelda Hervey, Ballard Berkley, Edie Martin, Myrette Morven
Henry Kendall invents a partner in order to keep his creditors at bay. Claude Autant-Lara's only British film - thank goodness for that.
Script adapt.: Claude Autant-Lara
Director: Claude Autant-Lara
Players: Kathleen Kelly, Alastair Sim, A. Bromley Davenport, Guy Middleton, Morris Harvey